Little Fockers

“Little Fockers” is the third in a series of mediocre “comedies” starring the same characters as in the prior two with some additions in an apparent effort to try and salvage it from the “3 strike rule”. As before, Ben Stiller, Robert DeNiro, Blythe Danner, Teri Polo, Barbra Streisand and Dustin Hoffman star but, this time around, they are aided and abetted (as in a crime) by Owen Wilson, Jessica Alba, Laura Dern, and Harvey Keitel. Directed by Paul Weitz the film does continue the same comedy base of inept son-in-law and domineering father-in-law and the clashes among the two. I went to this film mindful of the low ratings it had received and, armed with low expectations, I found it easier to tolerate the “same old, same old”. This is not a good movie and should best be reserved for free cable or, as I was lucky (or unlucky enough) to receive, a free ticket to a screening. All I lost was time but, in all honesty, there were laughs in the film thanks to some clever lines (although not too many of them) and the charm and comic talents of Mr. DeNiro who, without him, the film would have failed even more. I give the film 2 stars and, to paraphrase the old adage “let the viewer beware”.

True Grit

“True Grit”, a remake by the Coen Brothers of the original film based on the novel by Charles Portis, stars Jeff Bridges as the incorrigible Rooster Cogburn (the role originally created by John Wayne,), Matt Damon and the remarkable Hailee Steinfeld who litereally steals each and every scene from her crafty and seasoned male co-stars. A harder and tighter character than the soft young girl originally played by Kim Darby, this film is a true western much in the genre of Clint Eastwood‘s “The Unforgiven” reciting the saga of a no-holds barred effort by a young 14 year old girl to avenge the death of her father. The photography is a thing to behold as we experience the old west more as it was than the B westerns would have us believe. Jeff Bridges plays old Rooster straight as an arrow in a non-satirical and non-clownish manner. The humor he creates is a natural one because he simply says and does funny things but, when the chips are down, he is all “true grit”. I give this film 3 stars with a strong suggestion that it be seen, not simply as a western, but as a really good movie.

Made in Dagenham

“Made in Dagenham” is the true story of the birth of the “equal pay for women” movement in the United Kingdom in the mid 20th Century. Starring Sally Hawkins and Bob Hoskins, this film was written by Billy and William Ivory and directed by Nigel Cole. The movie tells the story of 187 women fighting for the same pay men receive for doing the same work as they do, a most revolutionary and controversial position to take at the time. Playing the unassuming and never-asking-for-the-role crusader is Sally Hawkins who plays the part with such depth and understanding that her performance is sure to be recognized when the formal accolades are given later this year. I give the film 3 stars because, simply as a movie, it’s OK, but as a piece of history and a portrayal by Ms. Hawkins that is truly noteworthy, it earns a higher rating than it might otherwise have received.

The Fighter

“The Fighter” stars Mark Wahlberg, Christian Bale, Melissa Leo and Amy Adams in this exciting and deeply moving story of a blue collar family seeking to rise above its economic level through the boxing profession. Based on the true story of “Irish” Micky Ward, his half brother Dick Eklund, played by Messrs. Wahlberg and Bale, respectively, these two actors dominate the screen and give meaning and life to their Lenox, Mass. story. Thanks in no small part to director David O. Russell, there isn’t a mediocre or negative performance by any actor in the film. Looking back, however, one must tip his or her critic’s hat to the extraordinary performance of Christian Bale who becomes someone you would never thought he could either be or portray. He is convincing and real and gives the stellar performance of his career. Kudos to Amy Adams who, playing outside her normal casting role, becomes a barmaid suitable to the surroundings and the relationships with her blue collar customers. Melissa Leo is also about as genuine in her role as you could want and adds much to the movie. There are those who, like a Pavlovian response, will say “I don’t like boxing pictures”. Don’t fall prey to this trap. Boxing is a means for the picture to allow us the opportunity to view and experience the trials and tribulations of this lower class family and how two brothers cope not only with life’s setbacks but their own personal demons as well. That being said, one must also acknowledge the drama and action-filled fight scenes as the audience is caught up in the bouts shown on the screen with almost the same involvement and intensity as if each viewer was seated at ringside. I give this film 3 and ½ stars for it truly accomplishes the goal of any good theatrical experience.……it entertains.

The King's Speech

“The King’s Speech” stars Colin Firth (as King George VI), Helena Bonham Carter (his Queen) and Geoffrey Rush (the Australian Speech Therapist) in this true story of how the successor to the throne after Edward VII (who abdicated to marry twice divorced American, Wallace Simpson) attempted to overcome a serious speech impediment (i.e. a debilitating stammer).
This basically is the simple plot and story but thanks to the superb acting of Messrs. Firth and Rush and the script written by David Seidler, this film directed by Tom Hooper has suspense, deep audience involvement and the credibility so needed to make it all work. Firth’s portrayal as King George VI is nothing less than superb as he brings pathos and humanity to the role. Left in the hands of a less skillful actor and director, Firth’s performance could have been awkward or even border on satire. It is neither. Instead the viewer is treated to a rare on screen chemistry between Mr. Rush and Mr. Firth where the performance of each is enhanced and made better because of the interaction between the two. I give this film 3 and ½ stars with careful note to watch this year’s Academy Awards ceremony where I’m sure you will see Mr. Firth pick up his first Oscar.

The Company Men

“The Company Men” stars Ben Affleck, Chris Cooper, Tommy Lee Jones and Kevin Costner in a story similar to “Up In The Air” except that the leading men in this film are those who are downsized by corporate demands instead of those doing the downsizing to them. Written and directed by John Wells, the film is fast paced and well edited and directed as it tells us the stories of three men made victims by the decisions of upper management and how the corporate officers and boards strive to keep profits high while minimizing caring and humanity.. Masterfully played by Tommy Lee Jones, the film is, on the one hand, depressing as it tells us how vulnerable the tenure of employees, even high level ones, can be while, at the same time, letting us know how critical and necessary to our everyday lives what having a decent job represents. I rate this film with 3 stars and the unfortunate prediction that it will not do well commercially. People in hard times and a down economy go to the movies to experience “escapes” from the everyday world and its problems and they don’t need films such as this to serve as reminders of them.

The Tourist

“The Tourist” stars Angelina Jolie, Johnny Depp and Paul Bettany in what was obviously intended as a clever spy thriller in the would be (but doesn’t achieve) style of Alfred Hitchcock and other great directors of that ilk.. The film has 6 screenplay and writer credits and one wonders how, with all these supposedly talented people, the dialogue and story still leaves so much to be desired. The clue to the shallowness of the script and the illogical circumstances it creates is that, in the final 15 seconds of the film, the all too typical “dialogue to explain everything” takes place. Somewhere within this film is a good movie but 6 writers and director Florian Henckel von Donnersmarck (one of the writers) just couldn’t quite find it. Angelina Jolie, strutting around like a model on a fashion show runway, has almost no dialogue in the picture. In fact, if she said the director Florian Henckel von Donnersmarck‘s name, it would take up more screen time than all the words she uttered in the film. That all being said, the picture still gets a 2 and ½ star rating because the real attraction of the film (which should get the most prominent screen credit of all) is the City of Venice. Even if you’ve been there before, it still ignites the traveling bug to go back and see it again for never has a city been photographed and shown in such beauty, pulse beat and color. So, in fairness to the film, although it contains too many contradictions and inconsistencies, it nevertheless gives the viewer a fast paced and wonderful tour of the unique location where it was filmed.

Morning Glory

“Morning Glory”stars Harrison Ford, Rachel McAdams and Diane Keaton in this rather silly comedy written by Aline Broch McKenna and directed by Roger Mitchell. Resembling the likes of “Broadcast News” and other films of the same genre, the movie never quite reaches its potential (assuming it had one) nor does it utilize to any valid degree the talents of Ms. Keaton and Mr. Ford. A ditsy and motor mouth type played by Ms. McAdams supports the film and is the glue that tries (albeit unsuccessfully) to hold it all together. Light fare for an evening where nothing else is playing is probably the only reason someone would go to view this movie. I found myself in such a quandary and opted to see the light comedy versus the other films that were playing around the same time period. I give this film 1 and ½ stars with a warning that it should be viewed only as a last resort when all else either fails or is sold out.

Nora's Will

“Nora’s Will” is a Spanish film (with English titles) and tells the story of a Jewish Mexican family faced with some difficult and awkward occurrences at, before and after a Passover Seder. Beautifully written and acted by some really terrific players and writers, the film, though seemingly slow moving at times, keeps its own independent pace as it takes us into the lives of the subject family with sensitivity and caring. An interesting look at the ethnic culture of Mexican Jews and the rituals they are obligated to adhere to and follow, the film is as informative as it is entertaining. I give the film 3 stars and urge viewers of all persuasions to see it.

Jews and Baseball

“Jews and Baseball” is a documentary directed by Peter Miller, written by Ira Berkow and narrated by Dustin Hoffman. Although appearing to be the story of one minority in a truly American pastime, it is really the story of all minorities and how each strived to achieve a place in their new and adopted homeland. Tracing the evolution of Jews into Baseball, from the very early days when semitic sounding names were changed to protect the anonymity of the player’s ethnic background, the film shares the breakthrough episodes of the great Hank Greenberg to the awesome period encountered by Jackie Robinson and recognizes in each that patience, tolerance and an unrealistic ability to slough off the slanders and abuses in deference to, and so as not to jeopardize, the greater cause. On film interviews with the great Mr. Greenberg, his family, Al Rosen, Sandy Koufax (in a rare media appearance), Larry King, Bud Selig (the Commissioner of Baseball) and others help the viewer to understand that playing major league ball is hard enough without the added pressure that bigots have a way of exerting. This is as much a history of baseball in general as it is a story about one minority and I recommend it without reservation. I give the documentary 3 stars. On a personal note, as a young Jewish boy growing up in Brooklyn, meeting a Jewish ball player was an awesome experience and confirms how important it is that minority youngsters get a chance to see their ethnic brothers and sisters in high profile roles for the message it gives is clear and powerful …”it can be done”. Perhaps the most meaningful comment in the film is that today the religion of the player is almost unnoticed and never spoken about….and isn’t that the way it should be?

Fair Game

“Fair Game” is the story of the outing of CIA operative Valerie Plame Wilson as punishment imposed upon her by the Bush administration because her husband, Ambassador Joe Wilson, dared to refute and reject the government’s claims and contentions that Saddam Hussein was building weapons of mass destruction. The film stars Naomi Watts and Sean Penn as the Wilsons in this story of action and betrayal with a bit of the matrimonial problems experienced by the subject couple thrown in as well.. A slow moving film telling the same facts over and over again, I give this movie 2 and ½ stars. What is most important about the film is the message it sends to all of us that “tugging at Superman’s cape” (in this case the federal government) isn’t such a good idea. I’m sure Messrs. Rove, Libbey and Bush wouldn’t rate this movie at all….as for me, I give it 2 and ½ stars since it is, if nothing else, a great lesson in current history.

RED

“Red” which stands for “Retired…Extremely Dangerous” is supposed to be a spoof about the CIA and spies and international assasins….but it isn’t. Instead it ia a frail and feeble attempt to be smart and clever while being neither. Wasted are the talents of Bruce Willis, Helen Mirren, Morgan Freeman, John Malkovich and Mary-Louise Parker who try vainly but unsuccessfully to make the most out of the weak and often times incredulous script by four writers (who shall and should remain nameless) under the mediocre direction of Robert Schwenke. There is nothing better than satire when it is done well and nothing worse when it is not. This film is an example of the latter and struggles to get a 1 and ½ star rating as the viewer squirms physically and mentally through the entire experience. It’s hard to believe that not one of the artist’s representatives of the above named stars had the good sense to say to his or her client “Hey, don’t do this”. Kudos though to Mary Louise Parker who steals every scene she’s in which, unfortunately for all of us, are too few.

The Girl Who Kicked The Hornet's Nest

“The Girl Who Kicked The Hornet’s Nest”, the last of the three Swedish films based on the books by Stieg Larrson again stars Lena Endre, Michael Hyquist and Noomi Rapace (playing the wild and adventurous character Noomi Salander). Directed by Daniel Alfredson,who also directed the immediately preceding film, this is an involved and detailed story of action and courtroom drama which will, despite the length and slow pacing of the film, hold the viewer’s interest. At one point, when I thought the film had ended, I was pleasantly surprised to find that it did not and some really exciting and interesting scenes were yet to follow. As an aside but relevant to the quality of the film, I was able to remain focused and involved in the film despite some patrons sitting near me who constantly chatted and unwrapped candy during the film. I give the film 3 stars and urge those who enjoyed the 2 prior films to see this for, although perhaps not the best of the lot in general, it is the most interesting of the three.

Conviction

“Conviction” stars Hillary Swank, Melissa Leo and Sam Rockwell. The story of a sister’s efforts to free her wrongfully convicted brother, the film lacks depth and becomes a never ending series of roundtrips from the outside world to the prison where the brother is incarcerated. As is so often the case when trying to glamorize or make interesting a real life drama, it just cannot rely upon the actual facts to make the film as engaging as it could have been. Viewed at best as a good docu/drama, I give the film 70 with kudos to Ms. Swank’s acting especially and in spite of the poor dialogue she is forced to deliver.

Life As We Know It

“Life As We Know It” stars Katherine Heigl and Josh Duhamel in this drama/comedy directed by Greg Berlanti. A straight formula movie that we went to see strictly because we were in the mood for something light and easy to watch. This film is all of that with a little bit more due to some fine writing and an interesting plot. This is a perfect fill-in film in the event your prime choice is sold out or is playing at an inconvenient time. I give the film 2 and ½ stars and certainly a better rating than most of the critics who perhaps were looking for much more but didn’t realize that there was still something of value on the screen.

Hereafter

“Hereafter” is the latest entry by talented producer and director Clint Eastwood as he once again ventures forth into territory and story lines that, handled by someone less capable, could be awkward and uncomfortable. Not here. This 129 minute gem of a movie stars Matt Damon, Cecile de France and twins George and Frankie McLaren as they take us, via different stories occurring in different places, through an exploration of the issue of afterlife as so eloquently posed by writer Peter Morgan (“The Queen”, “Frost/Nixon”). In an interview concerning the film, Mr. Eastwood indicated that Mr. Morgan had no agenda and, in fact, probably doesn’t even believe in the afterlife. The film relates via 3 separate stories involving the characters played by Mr. Damon, the McClaren twins and Ms. de France, their separate experiences and needs. Most importantly, all of this occurs under the umbrella of believability. This is not a sci-fi film but, instead, a beautiful study of human relationships, losses and caring as each character draws us into his, her or their respective worlds with a humanity that will touch every viewer. I give this film 3 and ½ stars for it proves, more than ever, that the post summer theatrical releases represent the best each movie year can offer.

The Town

“The Town” is an action filled film taking place in and referencing Charlestown, a pocket suburb of Boston, where more bank robberies take place per capita square mile than almost anywhere else in the US. This is Ben Affleck’s movie for he not only directs and stars in the film but co-wrote the screenplay together with Aaron Stockard Peter Craig and Chuck Hogan, the author of the book “Prince of Thieves” upon which the story is based. Ben Affleck last directed “Gone Baby Gone” to critical acclaims and this film proves that his stellar directorial debut then was no accident or chance of fate. Ben Affleck directs with clarity, ease and a willingness to give his other actors, Jon Hamm (“Mad Men”) and Rebecca Hall, the space and opportunity to each shine in his or her own right. There are lots of action scenes in this film and perhaps a bit more violence than one would care to witness but, bottom line, the film will hold your interest and even allow you to root for the “bad guys” as they battle and rob their way through the movie. I give the film 3 stars with a salute to Mr. Affleck who excels in all of the 3 assignments he undertook..

The Social Network

“The Social Network” is a 2 hour docu-drama and tells the story of the life and obvious success of Mark Zuckerberg and his creation, Facebook. Based on the book entitled “The Accidental Billionaire” by Ben Mezrich, Aaron Sorkin’s screenplay is crisp, tight and indeed quite informative as to the ways and wiles of a world few non-techies can understand. Kudos to director David Fincher and film editors Angus Wall and Kirk Baxter who take us back and forth from depositions to dormitories in a fast and easy- to- follow style that should be the envy of all who attempt to accomplish such feats. The film stars Jesse Eisenberg as Mark Zuckerberg), Andrew Garfield and an amazing Justin Timberlake whose future in the acting phase of the business is, as a result of is performance, comfortably assured.
Mr. Eisenberg‘s stoic and blank expressions convey so much more than if he used paragraphs of dialogue and in no small part make his performance and. the film really worth seeing. I give the film 3 and ½ stars and strongly urge you to put down your laptop and buy a ticket early since the theater we attended was, but for the 2 seats I bought, totally sold out (and deservedly so).

The Concert

“The Concert” is a movie well worth seeing. This Russian/French endeavor stars Aleksei Guskov and a wonderful actress named Melanie Laurent. Taking place in both Moscow and Paris this original story by Thierry Degrandi and Hector Cabello Reyes is well directed by Radu Mihaaileanu. A difficult film to categorize (i.e. comedy, drama, tragedy) it contains all of these elements but, most of all, it is spiritually uplifting as it covers the period in Russia from the reign of Leonid Breznev to subsequent changes in both leadership and attitude. The director takes us through a series of flash backs and current scenes to relate the story in simple and unconfusing elements as we learn the history of the musical group that is the subject of the film (hence the title) and its sparkling and vibrant last 25 minutes as we listen to Tchaikovsky’s violoin concerto and see flips and bits of scenes that tie the entire picture so that, as a result, there is finality and a recognition that music can be so basic and important a part of our lives. I give the film 3 stars with a fair warning that the movie will not only allow you to see the tugging of the strings of the violin in the concert but also the ones along your heart.

Mao's Last Dancer

“Mao’s Last Dancer” stars Bruce Greenwood, Chi Cao, Joan Chen and Kyle MacLachlan
Based on the best selling Australian book by author Li Cunxin, this is the story of a Chinese ballet dancer, Mr. Cunxin, who attempts to chronicle his life from the sixth child of a Chinese peasant family to the artistic heights of the Houston ballet.. Written by Mr. Cunxin and Jan Sardi the film was directed by Bruce Beresford (“Tender Mercies”, “Driving Miss Daisy”). Unfortunately, the film tries too hard to create heart tugging moments to the background of world famous ballets but without much success. Mr. Cao’s dancing is, of course, noteworthy as is his acting but the film creates in the viewer the feeling that we are simply “going through the story” without much depth or sincerity. I give this film 2 stars with a question mark why so many people are recommending it. As an aside, although Mr. Greenwood’s acting is likewise appreciated, his attempting to portray a gay musical director has an almost SNL appeal to it when it could have been done with much more subtlety and class. Ms. Chen and Mr. MacLachlan, however, stand out, as the dependable actors we have come to know them to be.

Cairo Time

“Cairo Time” was written and directed by Ruba Hadda and stars Patricia Clarkson. To say that this is not a fast-paced film would be the understatement of the year since even the pyramids on the screen appear to be moving faster than the movie itself. Working from a very dull and dreary script, Ms. Clarkson is about the only reason to even think of going to see this movie for her performance, much like the acclaimed actions (and non-actions0 of Diane Lane in “Unfaithful” tell us more than the dialogue Ms. Hadda never got around to write. It is truly a gift to see an actress convey so many thoughts and ideas without uttering a sound. This Ms. Clarkson does admirably well but…and there’s always a “but”, it’s not enough to hold the interest of the viewer or to allow one to really “get into the story”. One waits until at least 45 of the film’s 90 minutes to realize it isn’t going anywhere but from where it started out and that isn’t very far. I give the film 2 and ½ stars but only because Ms. Clarkson’s presence in it is it‘s only redeeming quality.

The Switch

“The Switch” is a delightful movie. It stars Jennifer Aniston, Jason Bateman, Juliette Moore, a surprisingly comedic Jeff Goldblum and a wonderful child actor, Bryce Robinson (age 9). This is a light but sophisticated comedy brilliantly acted by Mr. Bateman and ably supported by Ms. Aniston, both of whose roles are enhanced by 9 year old Master Robinson. Left to another actor, Mr. Bateman’s role could have easily hurt the film. Instead his sincerity and credibility comes through loud and clear as he plays off his character’s ups and downs with both Ms. Aniston and Master Robinson. This is the second film I’ve seen this year where sperm donors and family issues are presented to the film audience (“The Kids Are All Right”) and they both prove that with good guidance at the helm, these films can tell the story in an entertaining and meaningful way. Written by Jeffrey Eugenides and Allan Loeb and co-directed by Messrs. Will Speck and Josh Gordon I take pleasure in recommending this film. You will feel good during and after the film and, really, isn’t that what it’s supposed to be about. I give this fillm 3 stars because I truly enjoyed the theatrical experience it afforded me and I feel pretty confident that others will feel the same way too.

Get Low

“Get Low” is a film based in part on the true story of a hermit in the early 30’s played by Robert Duvall who, together with Bill Murray, Sissy Spacek and Lucas Black, tries to give more meaning to this story than it really contains. Written by C. Gaby Mitchell, Chris Provenzo and Scott Seeke and directed by Aaron Schneider, the film is slow, dull and more a vehicle for the talents of Mr. Duvall than it is for the enjoyment of the viewing audience. Like a salmon going against the surging water, I am in the minority of those who saw and write about this film where the critics apparently got much more from it than I did. Somewhat convoluted and confusing in its presentation, the tale it tells is bland and contains many inconsistencies. One can understand why Mr. Duvall, who also serves as one of the executive producers, sought to act in and make this film since it gives him an opportunity to expose his significant talents as an actor and that, only that, represents the value to the movie. Although at times you get the feeling that the performance is more show than sincerity, Mr. Duvall does hold the film together but, unfortunately, the glue is not strong enough. I give this film 2 stars with a warning that it will probably be right up there with the slowest 100 minutes you will every experience.

Joan Rivers, A Piece of Work

“Joan Rivers --A Piece of Work” is a documentary covering a year in the life of this 75 year old actress/comedienne (she prefers “actress”). Directed by Ricki Stern and Anne Sundberg, this film takes us not only backstage but into the very essence of Ms. Rivers‘personal life. We watch the sacrifices, joys, tragedies and struggles that have befallen this valiant survivor in one of the toughest businesses around. Whether losing a life long manager relationship, bemoaning a 4:30PM gig in the Bronx, losing a husband to suicide, antagonizing her mentor (Johnny Carson) or simply becoming the butt (no pun intended) of every aging or plastic surgery joke, this lady lands on top no matter in what position she falls as she shares with the camera (and ultimately the audience) who she really is and how she really thinks. It is obvious that Ms. Rivers has allowed the filmmakers to enter her private world with no handle on the reins or right of any approval. This of course makes for a bare, open and, most of all, honest, film. One leaves the theater after having spent 84 minutes with Ms. Rivers with tremendous respect, admiration and affection for this aging icon as she struggles to retain and maintain a theatrical life. As she herself said “I’m never happier than when I’m performing on stage”…and for those who enjoy her performances, they’re never happier either. I give this film 3 stars with a strong recommendation that it be seen and enjoyed. No question that this is a terrific PR boost for her but not because of how she is selectively portrayed but, more importantly, because of the innate quality that is hers in every and any circumstance.

Cyrus

“Cyrus” stars John C. Reilly, Marisa Tomei, Jonah Hill and Catherine Keener. The film was written and directed by both Jay and Mark Duplass who, like most who venture into the “I can do it all” arena, fail the audience since the film never quite lets us know enough about the Cyrus character although we are constantly bombarded by his actions and conduct. The film ends rapidly tying loose ends together but it is almost an afterthought that this happens and one gets the feeling that audience previews demanded a different ending and the writers/directors dutifully obliged. I give this film 2 and ½ stars because of the fine acting of Ms. Tomei (who just doesn’t know how to perform badly) and to Mr. Reilly who makes the most of the part he is given. I would have been glad to recommend the film were it not for the rapid and not very realistic last ten minutes of the film where the viewer waits for but never gets that for which he so anxiously anticipated..

Inception

“Inception” was written and directed by Christopher Nolan. The film stars Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Tom Berenger, Michael Caine and Marion Cotillard in this 148 minutes worth of confusion and anarchy as Mr. Nolan’s script tries to make sense out of a difficult concept to not only comprehend but from which to make a descent film. What amazes me is the kind of box office numbers the film is scoring in spite of what I considered a most disappointing theatrical experience. The film is a series of special effects cameos with no really coherent string tying them together as the characters go in an out of various stages of dreams and realities faster than a subway turnstile at rush hour. At one point I actually considered getting up and walking out of the theater. It was like listening to a large orchestra playing but without any melody. Despite a heavy cast and extraordinary visual effects, there is no emotional basis to any of the characters regardless of the dream or conscious level they are at. Much too difficult to follow and enjoy, I give this film a generous 2 stars with a suggestion to potential viewers that even Dr, Freud would have a problem understanding what was going happening on the screen.

Dinner for Schmucks

“Dinner for Schmucks” is a terrible movie. It stars Paul Rudd, Jemaine Clement, Steve Carell, Ron Livingston and Bruce Greenwood. 8 writers and director Jay Roach join in to give us 2 hours of discomfort and pathetic humor (if one call it that). The operative word is “discomfort” for its attempts at humor not only push open the envelope but make the viewer cringe with uneasiness as he or she watches this adaptation of a film from France made 18 yeas ago. Some things are better left intact and not subject to remake and this film is one of them. I give this film no stars and a warning to the viewing public….do not see this film, it is unfunny, makes you feel uneasy and a reminder of how bad a film can be. Perhaps the greatest oddysey is how this film got a green light for production and an OK for general release..

The Other Guys

“The Other Guys” was directed by Adam Mckay and stars Mark Wahlberg, Will Ferrell, Michael Keaton, Eve Mendez, Samuel L. Jackson and Dwayne Johnson (with an unaccredited appearance by Anne Heche) in this comedy involving two misjoined New York City detectives.as they try to upstage and replace two other detectives who are the heroes and stars of the department. Filled with action and rapidly paced, this film is best remembered as being extremely well written whose line are given to two very fine comedic actors, yes, Mark Wahlberg, and, of course, the ever dependable Will Ferrell. The on-screen chemistry that exists between Wahlberg and Ferrell is extraordinary and, honestly, I can’t remember how many times I laughed out loud as they bungle and fumble and make their way in an effort to solve the crimes facing them.. I unqualifiedly recommend this film and give it 3 stars for allowing me to have a really fun theatrical experience..

The Girl Who Played With Fire

“The Girl Who Played With Fire” stars Noomi Rapace and Michael Nyquist as they continue in their debut roles first seen in “The Girl With The Dragon Tattoo”. The inevitable consequence after viewing any sequel is to compare it with the prior film and, in this instance the first of the anticipated trilogy is better. “Fire” contains a complicated series of circumstances that at times are confusing and difficult to follow with uncomfortable scenes of violence but the acting of Ms. Rapace and Mr. Nyquist redeem the film somewhat and keep us on the edge of our seats as we again witness their exploits and struggles. I give the film 2 and ½ stars because, unlike the first in the series, I did become conscience of its 2 hour and 40 minute duration.

The Girl Who Played With Fire

“The Girl Who Played With Fire” stars Noomi Rapace and Michael Nyquist as they continue in their debut roles first seen in “The Girl With The Dragon Tattoo”. The inevitable consequence after viewing any sequel is to compare it with the prior film and, in this instance the first of the anticipated trilogy is better. “Fire” contains a complicated series of circumstances that at times are confusing and difficult to follow with uncomfortable scenes of violence but the acting of Ms. Rapace and Mr. Nyquist redeem the film somewhat and keep us on the edge of our seats as we again witness their exploits and struggles. I give the film 2 and ½ stars because, unlike the first in the series, I did become conscience of its 2 hour and 40 minute duration.

The Kids Are All Right

The Kids Are All Right” stars Annette Bening, Julianna Moore, Mia Wasikowska, Josh Hutcherson and Mark Ruffalo in this beautifully told story of a same sex marriage, their kids and those who come into their lives. Written by Lisa Cholodenko and Stuart Blumberg and directed by Ms. Cholodenko, this is a film well worth seeing as it investigates and examines parental and partnership issues as they apply to every couple, regardless of gender or origin. Wonderfully acted by all of its stars and directed with warmth, compassion and sensitivity, the movie touches many emotions but never uncomfortably and, for that reason, the co-writers and director deserve kudos and credits. I give this film 3 and ½ stars with a strong recommendation to see it and to enjoy it. It tells us quite simply and yet quite eloquently that love, children and family are universal relationships and exist well beyond the labels society may give to some of its members.

Winter's Bone

“Winter’s Bone” was written by Debra Granik and Anne Rosselini. Also directed by Ms. Granik, this is an intense film whose “R” rating stems from some of its violent content which, unlike most gratuitous offerings, is vital to the plot and story. 100 minutes in length this is the story of family life in the Ozarks, its mores, rules and “laws“ as its characters manifest all phases of human emotion under an umbrella of community. It is obvious that the writers of the film, and the 2 years they spent in the area where the film was made, has paid off in the dividend of authenticity. Starring Jennifer Lawrence and John Hawkes, this film gives Ms. Lawrence the role for which she will long be remembered as she communicates a teenager‘s strength, tenacity and dedication to her younger siblings and ailing mother. There is almost a documentary quality to this obviously low budget film as it captures a way of life few of us are familiar with or have ever experienced. One constantly feels that those in the film are “real residents” rather than actors though I’m sure the latter is the case. I recommend this film not only for the quality of its writing and directing, but, most of all, for the acting performance by this young and oh so talented star. I give the film 3 and ½ stars and predict that Ms. Lawrence’s name will be among those nominated for best actress when award‘s time next comes around...

Sex in the City 2

“Sex in the City 2” stars the ever present Sarah Jessica Parker, Kim Catrall, Cynthia
Nixon and Kristin Davis. Written and directed by Michael Patrick King, the film is predictable and unimaginative yet, for some crazy reason, I can’t consider it as bad as some of the other reviewers I’ve read. Although perhaps stylish and clever to come down on the film, especially from a male point of view, the film actually follows these now maturer women into the state of matrimony and motherhood and examines the intricacies and plights inherent in each of these roles. I went to the film ready to condemn it with clever lines such as “I had a choice between Dreck and Shrek” but characterizing the film in that manner seems terribly unfair. Mind you, this is not a good film and, even though, for the most part, it is trite and silly, I still was able to endure the 2 hours and 40 minutes easier than I was able to endure some other films which were better constructed and acted. I looked at my watch only once (at the 1 and 1/4 hour mark) and not again until the end which, for this piece of work, is almost a miracle. The sets and production values are quite high and some of the lines and scenes are actually quite humorous. There’s nothing deep about anything in this film even though, at times, it tries to go beyond its glitzy veneer. I give this film 2 and ½ stars with this observation; Ladies, you will probably love the film because it does touch on many feminine issues, both physical, cultural and political; and Men, you will be scoring points with your mate by accompanying her to see it and, for the most part, it won’t be too bad an experience

Exit Through the Gift Shop

“Exit Through the Gift Shop” is a strange documentary about the evolution and use of street art. Directed by Banksy, the elusive street artist, it shows the evolution of a fan who later becomes Mr. Brainwash, another street artist. The film could have recited its entire story (if there is one) in less than 15 minutes but unfortunately takes about an hour and one half to tell. The main character of the film is a Frenchman named Thierry Guetta
who is as unappealing as he is dull and, as I perceive him, an unsympathetic character that dominates too much of the footage. The couple next to me left in the middle of the film and, looking back, I realize how wise they were. There is an old adage that because a theater has my money doesn’t mean they have to have my time. My wife begged me to leave several times during the viewing of the film (would you believe 7X). Unfortunately my refusal to leave was rewarded by having to admit she was right. I’m not going to rate this film because it is isn’t worthy of the effort. What is most interesting is how the critics have responded to this film and, like so many pseudo intellectuals, seem to find the positives in this negative (no pun intended) experience

The Secret in the their Eyes

“The Secret in their Eyes” is a winning film from Sony Classics. Written and directed by Juan Jose Campanella, it is a combined love story and murder mystery told in a tense and exciting manner. The 127 minute length of the film seems to fly by as the audience becomes engrossed in this tale of murder, revenge and the love of its hero and heroine. The film stars Ricardo Darin, Soledad Villamil and Pablo Rago. The rich blending of suspense, thrills and humor add much to the enjoyment of this Argentinian /Spanish production. As always, the true test of any good foreign film is how long it takes to forget that you are watching a film with Spanish dialogue and, in this case, it feels like the movie was in English from the very beginning. Kudos too to Senor Campanella who does the almost impossible by writing and directing a film that is so easy to watch and understand--a rare feat for any writer-director. I give this film 3 and ½ stars with the hope that the rest of the films I view this year will equal or exceed the standards set by this one.

Please Give

“Please Give” stars Catherine Keener, Oliver Platt, Rebecca Hall and Amanda Peet, Written and directed by Nicole Holofcener, the film deals with a family in New York City and the various guilts the members experience from the everyday world around them. An interesting concept and idea gone somewhat astray by its two dimensional portrayal of these supposedly complicated characters who we never really get to know or understand. There is a lot of mental activity going on but the audience never seems to be let in on what is really happening and why. I give the film 2 and ½ stars. It is a nice film to watch but not worthy of the very high ratings some of the more reputable and respected critics have given it. I’m sure there are those who will see in this movie much more than I did and I congratulate them on their good luck.

The Girl With the Dragon Tatoo

“The Girl With the Dragon Tatoo” is a Swedish-Denmark venture starring names that are as difficult to pronounce as they are to spell and written and directed by filmmakers and writers US audiences probably never heard of as well. That being said, this foreign film (language is Swedish with English titles) represents a truly positive movie going experience as it takes us through and into plot twists and turns to ultimate positive cinematic resolution. The acting, editing and directing are at such a high level that the 2 hours and 40 minutes it takes to tell this complicated and interesting tale really almost flies by as the members of the audience stay glued to each of their seats. Time flies when you’re having a good time…..also when you are in a suspense-filled thriller that unequivocally holds your interest the entire time.. I give this film 3 ½ stars and recommend it to all, even those who don’t like foreign films with English titles for this “obstacle” will quickly become unnoticeable as the reel unwinds.

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Shutter Island

"Shutter Island" stars Leonardo DiCaprio, Mark Ruffalo, Max Von Sydow, Ben Kingsley and Michelle Williams. Directed by Martin Scorcese, the film is complicated and much too wordy and, indeed, the value to the film occurs well after you leave the theater and piece together the parts of the film that, at the initial viewing, looked so unrelated and discombobulated
A better written and/or directed script might have avoided the discomfort I felt through so much of the movie because, primarily, there was just too much verbage. I must also confess that any mature character Leonardo DiCaprio plays almost always creates a credibility problem for me. Watching him don and wear his fedora consistently reminds me of a little boy trying on his father's hat. As good an actor as he is, and he really is, Leonardo's character never seems to have legitimacy and watching an actor who you know is acting is a difficult obstacle to overcome in any film ……..and especially this one.
Editing and directing could have been improved too. The screenplay was written by Laeta Kalogridis based on a novel by Dennis Lehane. Obviously, director Scorcese and writer Kogridis encountered many difficulties in bringing one form of media to another for the film is a maze of complexities that appear to become clarified only in its last 30 seconds. I rate this film 2 and 1/2 stars knowing that a tighter script and more skillful directing might have earned it a higher grade. Unfortunately, the film, in its present form, did not pass the "no yawning" test.

City Island

“City Island” was written and directed by Raymond DeFelitta and stars Andy Garcia, Julianna Margulies, Steven Strait, Emily Mortimer and Alan Arkin. Well written, edited and directed, the film takes place on City Island, a location hardly known to most New Yorkers but yet existing almost in the heart of its number one city, and proceeds to tell the story of this middle class family and the problems (unique and not so unique) that its members encounter and attempt to resolve. This is an uncomplicated and pleasant film to view with splendid performances by Mr. Garcia, Ms. Margulies and Ms. Mortimer. Filled with pathos and humor, the film holds our interest and helps us experience the issues and frustrations of the characters in the film and their ultimate resolution. I give the film 3 stars with a strong recommendation that it be seen. The 100 minutes will pass rather quickly for as the adage says: “Time flies when your having a good time”.

Multiple Sarcasms

“Multiple Sarcasms” stars Timothy Hutton, Mira Sorvino, Stockard Channing, Dana Delany, Chris Sarandon and Mario Van Peebles. Co-written by Brooks Branch and Linda Morris and directed by Mr. Branch, it is a long, tedious effort to explore in a much too wordy manner the life of its hero played by a disheveled and unsympathetic Mr. Hutton.
The “falling asleep test” proved how uncomfortable a movie it was to sit through and watch. Ms. Sorvino and Ms.Delany perform admirably with the little the script offers them and one wonders how such a fine cast could be assembled to play in this mediocre project. I give this film 1½ stars with a recommendation that you wait until it appears on cable so you can change the channel.

The Art of the Steal

“The Art of the Steal”is a documentary film directed by Don Argott and tells the story of Dr. Albert C. Barnes, a physician and, more notably, one of the foremost art collectors of the 20th Century. Dr. Barnes, over the years amassed one of the world’s finest collections of French Impressionist and Post-Impressionist paintings. The paintings were located in Dr. Barnes’ home in Lower Merion, Pennsylvania (5 miles from downtown Philadelphia) since he intended that they be displayed and viewed only for educational purposes insisting that they would never fall prey to the commercial art scene in Philadelphia. To protect this goal and safeguard the paintings which have been conservatively valued in excess of $25 billion dollars, Dr. Barnes created a foundation and trust to insure that his wishes would be honored. Upon his death (as a result of a car accident) key moneyed and political interests sought to challenge and disrupt the plans made by this unique collector They promptly commenced efforts to move the collection to the Philadelphia art museum so that “the general public would have access to it“. This film is the story of that battle, both legal and moral, and how the wishes and desires of one testator/trustor can be stifled and destroyed when powerful interests take positions opposite from the original benefactor.. Philanthropists and lawyers will appreciate the machinations that can occur when a decedent passes away with no relative or next of kin to attempt to safeguard his or her interests. Everyone generally interested in the world of art and public charity will find fascinating the methods and tactic employed by those seeking to cater to their own aims and needs even though they may be totally opposite from those of the original owner. I give this documentary 3 stars for its entertainment value, for its insight into the world of charity and art and for the lessons which can be learned for those seeking to protect their post death intentions

The Yellow Handkerchief

“The Yellow Handkerchief” is a movie starring William Hurt, Maria Bello, Kristen Stewart and Eddie Redmayne. Written by Erin Digman and directed by Udayan Prasad, this is a movie of 102 minutes duration that, unfortunately, seems like it is much longer.
Although beautifully acted and photographed, the film moves along at too slow a pace.
It is unique to fall asleep in a movie that deserved my undivided attention but unfortunately, I did. Perhaps better direction and a script with less unanswered questions might have prevented it. More like a short story than the material for a full length feature, I still must say that the entire experience was positive in spite of the abovementioned shortcomings. I give the film 2 and ½ stars because, when all is said and done, it is a good picture. Nevertheless having a strong cup of coffee as you enter the theater is definitely recommended.

The Ghost Writer

“The Ghost Writer” stars Ewen McGregor, Pierce Brosnan, Kim Cattrall, Olivia Williams, Tom Wilkinson, Timothy Hutton and Eli Wallach. Directed by Roman Polanski and co-written by Mr. Polanski and Robert Harris, this is a political thriller of the highest order with plot, script and atmosphere proving once again that these elements together can make a better viewing experience than so-called action packed film adventures. The mood Mr. Polanski creates and captures from start to finish makes for a compelling movie event as the viewer literally and figuratively grips his or her seat as scene by scene we are taken through this interesting and suspenseful drama. Acted superbly by Mr. McCregor and the other cast members, the 128 minutes of film seems to fly by since the viewer is too absorbed by the events of the story to pay any attention at all to the hands on the clock. If the saying “time flies when you’re having fun” is valid, it is no less true that minutes also speed along when witnessing a really good film. If there is any flaw or imperfection in this quality cinematic effort by Mr. Polanski, it is a feeling, perhaps personal only to me, of incompleteness as we see the last scene end and the credits begin to roll. Nevertheless, for the sheer viewing experience, this film earns and gets 3 and ½ stars with a very strong recommendation that it be seen and enjoyed as soon as possible.

Broken Embraces

“Broken Embraces” was written and directed by Pedro Almodovar whose genius takes us through the film ably abetted by the superb acting and interpretations of Penelope Cruz. As she did in Volver, Ms. Cruz exemplifies great depth and expanse as an actress who gets better as she gets older and, like rare wine, is a treasure. This complicated and involved story takes us through the highs and lows of life and, as the title suggests, shows us how the characters deal with revenge, love, hate, jealousy and all the other human emotions. Mr. Almodovar accomplishes what is so rare these days, an ability to write, direct and even edit one’s own work in an objective and satisfying manner. I give this film 3 stars and suggest that its 127 minutes of viewing will be time worth spending.

Invictus

“Invictus”, produced and directed by Clint Eastwood, stars Morgan Freeman and Matt Damon. With a screenplay written by Anthony Peckham based on the book by John Carlin, this is a film that deserves being seen for no other reason than its historical significance as it relates the efforts of Nelson Mandela following his election in 1990 to unite the blacks and whites in the country of South Africa. Gaining its title from the poem by William Edward Henley, the film unites sports and politics into an involved melodrama. The only difficulty in this otherwise interesting and exciting film is that the actors, speaking Afrikaner or heavy accents based on it, need English titles to better understand what is being said. I give this film 3 stars for both its value as a vehicle of pure entertainment and, also, for its educational and historical value as well.

Avatar

">“Avatar” was written and directed by James Cameron, self-acclaimed “King of the World”, who also directed “Titanic” and other epic action films. The hype that preceded this film made it difficult to be objective in its analysis since it had a $300,000,000 cost, a ten years in the making label and breakthrough 3D and other notable technology. So, with all of that in mind I went to see this film with the highest of expectations and hopes for an exciting 2 hours and 40 minutes of extraordinary viewing pleasure. Unfortunately my anticipations far exceeded the reality. This is a nice film, not a great film, and, as most would agree, a very long film. The “how many times I looked at my watch” test was at least 3 and my shifting seat positions while awaiting the hoped for ending was numerous as well. There is no question that the special effects and 3D (with glasses) adds to the viewing experience but it also adds to the price ($3.50 extra for viewing in 3D). This of course helps in the computation of the general gross revenue by at least 33 1/3%. The dialogue is not very sophisticated and could almost be mistaken for a script from a poor grade B movie. This is basically a western except that the wild west is the planet Pandora and the Indians replaced by dthe orb’s native inhabitants. Other than that, the plot, the clichés and the mundane and trite script are the same as an oater out of the Republic Studios inventory. For all its pre-distribution date publicity, the film is a let down and earns, from my point of view at least , 2 and ½ stars with the special effects giving it that amount on the rating scale. The “king” has left the throne.