J. Edgar

J. Edgar" is, as you might expect, the story of J. Edgar Hoover, at one time one of if not the most powerful man in the nation as he formed and led the Federal Bureau of Investigation for at least 48 years. Leonardo DiCaprio stars as the world's most famous G Man and Armie Hammer plays his faithful confidant and friend, Clyde Tolson while Naomi Watts portrays the role of Helen Gandy, J. Edgar's ever loyal secretary and girl Friday. The film was written by Dustin Lance Black and produced and directed by Clint Eastwood,. Although interesting from the point of view of the history of the nation's most famous crime fighting organization, I'm sorry to say that the film was much too long. Instead of shortening Hoover's name in the title of the film, the editors should have deleted a lot of unnecessary footage as the movie struggles to find itself and its proper pace. In this case FBI could stand "For Boring Individuals". Even good things should end in a timely manner. This is not the Clint Eastwood we came to know in "The Unforgiven" or his other great films. It was almost as if pride of directorship and artistic endeavor overrode the necessity to make the film work in a tighter vehicle. Perhaps trying to cover such a complicated character over so long a period makes the extraordinary length of the film inevitable but not necessarily pleasant to watch. I give the film 2 and 1/2 stars with the suggestion that a good cup of strong coffee prior to viewing it would be a good idea.,

The Descendants

"The Descendants" stars George Clooney and a number of perfectly cast actors in this beautiful, sad and honest story based on the novel written by Kaui Hart Hemmings. Masterfully directed by Alexander Payne, the writing, directing and editing of the film create a wonderful viewing experience that takes the viewer to the heart of a family's grief while allowing him or her to understand and share the frailties and positives of the human condition. A large part of this movie's success is due to the fine acting performance of Mr. Clooney.This is a portrayal that we will hear more about during the nominating process for Best Actor in 2012 and well deserved it will be. Mention must also be made of the superb acting done by a relative newcomer, Ms. Shailene Woodley, who, as Mr. Clooney's character's older daughter, displays a grace and dignity not often found in her peers. She is a star in the making. I give this film 3 and 1/2 stars for at no time was I ever conscious of its length but, instead, only of its power and beauty.

My Week With Marilyn

"My Week With Marilyn" is based on the true story of Colin Clark, a young 23 year old, who diaried and recounted his work as a "gofer"in the making of the 50's film "The Prince and the Showgirl" which originally starred Marilyn Monroe and Sir Laurence Olivier. This movie stars Michelle Williams (as Marilyn Monroe), Kenneth Branagh (as Sir Laurence), Eddie Redmayne (as Colin Clark) and other cast members including Julia Ormond, Judi Dench and Emma Watson (HarryPotter). Written by Adrian Hodges and directed by Simon Curtis the film is slow moving and oftentimes trite in its dialogue as it seeks to penetrate the life and psyche of Ms. Monroe. This complicated icon is portrayed by Michelle Williams in an uncanny and extraordinary manner that, regardless of the merits (or demerits) of the film, will certainly earn her Oscar consideration in 2012. Ms. Williams becomes Ms. Monroe and gives the performance of her career as she captures her character's nuances and likenesses to such an extent that even Meryl Streep would be forced to sit up and give a nod of approval. The film, under normal circumstances, deserves only 2 and 1/2 stars but because of Ms. Williams' performance, I give it 3. Movie-history buffs and all who enjoy seeing an actress come of age will like the film.




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The Artist

“The Artist” is one of the most exciting and interesting film endeavors to be viewed in a long long time. The movie casts French film stars Jean Dujardin and Berenice Bejo with more recognizable celebrities such as Penelope Ann Miller, Malcolm MacDowell and John Goodman in this almost silent film (in black and white) depicting events in the industry in Hollywood from approximately 1920 until the advent of the talkies in 1932. Written and directed by Michael Hazenavicius, perhaps much of the credit should go to music director Ludovic Bource whose incredible score during this almost 100 minutes of film without sound (other than the music) is the reason the project works. As you view this “silent movie” one realizes how our fathers and grandfathers in the first 30 years of the 20th century could sit and simply watch but not hear actors "talking" on the screen. Suddenly one realizes that the unsung stars of all of these silent emporiums were the organ players or musicians who not only played beautiful music but did it in sync and in total coordination with what was happening on the screen. Mr. Bource and his score accomplishes that and then some. It is difficult to even imagine the film working (as it does) without hearing the music which supports and, indeed, is the true co-star of the film. Remember, too, that all of this is being viewed by an audience born and bred in the era of talking pictures so to achieve such a wonderful result is a testament to the acting, writing, directing, musical scoring and editing of this fine film. Although the story is “hokey’ and reminiscent of the “A Star is Born” genre, the movie takes us into the world of silent films and the trials and tribulations of those who can and cannot make the transition to the new medium. Yes, I confess that I did look at my watch twice but only to make sure and satisfy myself that the film had more to go and wasn’t ending when I thought it might. My wishes were granted and I was able to see a wonderful product taken to its proper completion. I give this film four stars and urge, no, insist, that those who enjoy great filmmaking not miss this extraordinary film experience.