Young Adult

"Young Adult” stars Charleze Theron, Patton Oswalt and Patrick Wilson in this 94 minute drama involving a basically depressed and mentally disturbed woman in her late 30;s seeking to recapture the glory years she spent in high school and the romance that never quite came into fruition. Ms. Theron gives a worthy performance in creating a character devoid of reality with the uncanny ability to instigate awkward and unpleasant experiences with most of those she encounters when she returns to the place where she was born and raised. However, good acting alone does not make a good movie. The best way to describe this film is for me to share with you that, throughout its viewing, it made me feel edgy and very uncomfortable. There are scenes where you know what is going to happen and almost wished it didn't in order to avoid watching it play out on the screen. Although the team of writer Diablo Cody and director Jason Reitman were so successful in their film “Juno”, unfortunately for them, and for this film's viewing audience, this movie does not reach that level of accomplishment. I give the film 2 stars with a suggestion that there are better ways to spend your money in order to feel frustrated and depressed.

Hugo

“Hugo”, in 3D, is a movie buff’s delight. Set in the early 1930's and starring Asa Butterfield, Chloe Grace Moretz, Ben Kingsley and Sasha Baron Cohen, this 207 minute film is enchanting as it is informative. Based on the book “The Invention of Hugo Cabret” by Brian Selznick (yes, a relative of David O.) and faithfully adapted by John Logan, this film masterpiece was directed by Martin Scorcese who can rightfully boast having made one of the best pictures of 2011 and of other years as well.. Much like ”The Artist” this movie searches the cinema past from the Lumiere Brothers first cinemaphotographe salons and the documentary aspects of the new medium to the short films made by George Melies, a French magician turned filmmaker who in the early 1900’s introduced story lines, fade ins, fade outs and trick photography to the new movie going public. Although not a household name, Mr. Melies wrote, directed and starred in over 500 films and chronicles his life and achievements as part of the larger story of a young boy trying to cope with the mysteries of life and its meaning. Not to be overlooked is the marvelous cinemaphotography as the scenes of Paris become real and surreal via the 3D medium. There is a storybook quality to the film that makes one feel as if he or she was reading from a children’s book with vivid colors and landscapes intermingled with real footage of movies of the era. I give this film 4 stars for its beauty, its message and the more than joyous experience I had watching it.

Tinker Tailor Soldier Spy

“Tinker Tailor Soldier Spy” stars Gary Oldman and Colin Firth in this UK French joint venture based on the best selling novel of the same name.by John LeCarre. This is a text book example of what can happen when producers attempt to depict on the screen the essence of a well written novel with religious adherence to the plot but without enough film or time to do it as well as the written word. Taking place in the midst of the cold war in 1973 this film is uncomfortable to watch and the 2 hours and 7 minutes of its duration seems more like a lifetime. Torture techniques are discussed in the film but I suggest that subjecting a prisoner to a viewing of the film will elicit more information from him than waterboarding, for instance, ever could. Co-written by Bridget O’Connor, Peter Straughan and Mr. LeCarre and directed by Tomas Alfredson, there is plenty of blame for each of them to share in creating this less than worthy piece of work. A director can do very little with a script that is confusing and seemingly endless and that is what Mr. Alfredson apparently had to deal with in order to bring about this boring and tedious endeavor. I went to the film aware that some very respected critics in some highly regarded papers and periodicals raved about the film and, consistent with that, my expectations were quite high. Unfortunately my viewing experience was not pleasurable at all nor did the movie in any way involve me in the plot, the characters or the story itself. I give this film 1 and ½ stars with a strong recommendation that it be avoided when making your next theatrical selection (unless, of course, you are looking for a 127 minute nap).

“”Like Crazy” is a film directed by Drake Doremus who also co-wrote it with Ben York Jones. It stars Anton Yelchin and Felicity Jones (no relation to Ben) as two young lovers caught in the muck and mire of visas, passports, British and US bureaucracy and the struggle to save their relationship. The film shows us that even the strongest and most beautiful of love affairs can have difficulty experiencing hardships and obstacles placed in their path and when these all combine in the same series of events, the results can be heart breaking. Yelchin and Jones are powerful in their respective performances but, alas, the scenes ping pong between London and LA at such a consistent and speedy pace that the viewer barely has time to get over his or her jet lag. At some points, the editing and scene changes are so rapid that it was hard to follow exactly what was taking place until a subsequent scene allowed us to understand what had happened before.
Somewhat tedious to watch I give the film 2 and ½ stars with a suggestion that it won’t be a great tragedy if you miss it before it ends its current run.

Jack and Jill

"Jack and Jill" is a supposed comedy starring Adam Sandler playing the role of Jack as well as his twin sister Jill. Married to Katie Holmes Jack is totally repulsed by his twin sister, Jill. As his twin, Mr. Sandler plays her as such a revolting character so as to make her totally unbelievable and there, of course, lies the defect in the entire film. There is no credibiliyt in Jill's character for she is as obnoxious as she is unreal and without reality, humor doesn't work. Relying for the most part on bathroom humor (literally and figuratively) the movie asks us to believe that Al Pacino, who also stars in the film, would ever even sit next to let alone be enamored by Jill. It asks too much so, at a certain point, the viewer just doesn't care. I give this film one (1) star and remind its producers and proponents that although the story book "Jack and Jill" may have gone up the hill, this movie isn't going anywhere but down. The best word to describe this entire 96 minute theatrical experience is "disappointing".

J. Edgar

J. Edgar" is, as you might expect, the story of J. Edgar Hoover, at one time one of if not the most powerful man in the nation as he formed and led the Federal Bureau of Investigation for at least 48 years. Leonardo DiCaprio stars as the world's most famous G Man and Armie Hammer plays his faithful confidant and friend, Clyde Tolson while Naomi Watts portrays the role of Helen Gandy, J. Edgar's ever loyal secretary and girl Friday. The film was written by Dustin Lance Black and produced and directed by Clint Eastwood,. Although interesting from the point of view of the history of the nation's most famous crime fighting organization, I'm sorry to say that the film was much too long. Instead of shortening Hoover's name in the title of the film, the editors should have deleted a lot of unnecessary footage as the movie struggles to find itself and its proper pace. In this case FBI could stand "For Boring Individuals". Even good things should end in a timely manner. This is not the Clint Eastwood we came to know in "The Unforgiven" or his other great films. It was almost as if pride of directorship and artistic endeavor overrode the necessity to make the film work in a tighter vehicle. Perhaps trying to cover such a complicated character over so long a period makes the extraordinary length of the film inevitable but not necessarily pleasant to watch. I give the film 2 and 1/2 stars with the suggestion that a good cup of strong coffee prior to viewing it would be a good idea.,

The Descendants

"The Descendants" stars George Clooney and a number of perfectly cast actors in this beautiful, sad and honest story based on the novel written by Kaui Hart Hemmings. Masterfully directed by Alexander Payne, the writing, directing and editing of the film create a wonderful viewing experience that takes the viewer to the heart of a family's grief while allowing him or her to understand and share the frailties and positives of the human condition. A large part of this movie's success is due to the fine acting performance of Mr. Clooney.This is a portrayal that we will hear more about during the nominating process for Best Actor in 2012 and well deserved it will be. Mention must also be made of the superb acting done by a relative newcomer, Ms. Shailene Woodley, who, as Mr. Clooney's character's older daughter, displays a grace and dignity not often found in her peers. She is a star in the making. I give this film 3 and 1/2 stars for at no time was I ever conscious of its length but, instead, only of its power and beauty.

My Week With Marilyn

"My Week With Marilyn" is based on the true story of Colin Clark, a young 23 year old, who diaried and recounted his work as a "gofer"in the making of the 50's film "The Prince and the Showgirl" which originally starred Marilyn Monroe and Sir Laurence Olivier. This movie stars Michelle Williams (as Marilyn Monroe), Kenneth Branagh (as Sir Laurence), Eddie Redmayne (as Colin Clark) and other cast members including Julia Ormond, Judi Dench and Emma Watson (HarryPotter). Written by Adrian Hodges and directed by Simon Curtis the film is slow moving and oftentimes trite in its dialogue as it seeks to penetrate the life and psyche of Ms. Monroe. This complicated icon is portrayed by Michelle Williams in an uncanny and extraordinary manner that, regardless of the merits (or demerits) of the film, will certainly earn her Oscar consideration in 2012. Ms. Williams becomes Ms. Monroe and gives the performance of her career as she captures her character's nuances and likenesses to such an extent that even Meryl Streep would be forced to sit up and give a nod of approval. The film, under normal circumstances, deserves only 2 and 1/2 stars but because of Ms. Williams' performance, I give it 3. Movie-history buffs and all who enjoy seeing an actress come of age will like the film.




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The Artist

“The Artist” is one of the most exciting and interesting film endeavors to be viewed in a long long time. The movie casts French film stars Jean Dujardin and Berenice Bejo with more recognizable celebrities such as Penelope Ann Miller, Malcolm MacDowell and John Goodman in this almost silent film (in black and white) depicting events in the industry in Hollywood from approximately 1920 until the advent of the talkies in 1932. Written and directed by Michael Hazenavicius, perhaps much of the credit should go to music director Ludovic Bource whose incredible score during this almost 100 minutes of film without sound (other than the music) is the reason the project works. As you view this “silent movie” one realizes how our fathers and grandfathers in the first 30 years of the 20th century could sit and simply watch but not hear actors "talking" on the screen. Suddenly one realizes that the unsung stars of all of these silent emporiums were the organ players or musicians who not only played beautiful music but did it in sync and in total coordination with what was happening on the screen. Mr. Bource and his score accomplishes that and then some. It is difficult to even imagine the film working (as it does) without hearing the music which supports and, indeed, is the true co-star of the film. Remember, too, that all of this is being viewed by an audience born and bred in the era of talking pictures so to achieve such a wonderful result is a testament to the acting, writing, directing, musical scoring and editing of this fine film. Although the story is “hokey’ and reminiscent of the “A Star is Born” genre, the movie takes us into the world of silent films and the trials and tribulations of those who can and cannot make the transition to the new medium. Yes, I confess that I did look at my watch twice but only to make sure and satisfy myself that the film had more to go and wasn’t ending when I thought it might. My wishes were granted and I was able to see a wonderful product taken to its proper completion. I give this film four stars and urge, no, insist, that those who enjoy great filmmaking not miss this extraordinary film experience.

Moneyball

“Moneyball” stars Brad Pitt as Billy Beane, the General Manager of the Oakland A’s baseball team, whose exploits were originally recited in the non-fiction book “Moneyball, the Art of Winning in an Unfair Game” written by Michael Lewis. Taken with the story Brad Pitt, in the role as Producer, sought the services of his friend, Steven Soderbergh (with whom he worked in “Ocean’s Eleven”) and began production in conjunction with Sony Pictures. Differences later arose between the studio and Soderbergh who then left the film. Just as A’s General Manager Beane was forced to regroup and create a new team when his stars left to go to higher paying clubs, so did Pitt, in a real life dramatization of the Beane character’s problems, seek and get Scott Rudin to join Pitt, Michael DeLuca and Rachel Horvitz as one of the film’s producers. Rudin’s prior association with Aaron Sorkin (“The Social Network”) brought Sorkin on board to work on Steve Zaillian’s script and thus create the finished product.. Also, like the story of Beane, Pitt got a new director, Bennett Miller (known for low budget films (“Capote”). Again the similarity between life and art is striking (no pun intended). This is a movie rich with the tradition of the sport and an insight as to how high financed clubs can dominate league play. More importantly, it represents how a new approach, dictated by economic needs and lack of funds, can alter conventional attitudes and bring about the unthinkable i.e.a team with a 39 million dollar budget outperforming those having four or five times that sum. Joining Pitt as the maverick general manager is Jonah Hill who portrays what some believe is Paul Podesta, an ivy league economics major who helps the Pitt character look at statistics in a whole new light. Philip Seymour Hoffman plays the field manager This is a Cinderella story which sees the team win an unprecedented 20 games in a row, the first time this ever occurred in the 103 year history of the sport.. More importantly, it is the story of resilience, confidence and focus and is all the more meaningful because it really happened. Of course a love of baseball is an added plus for any viewer of the film but the writing and directing are of such a high quality that even those unfamiliar with the sport will enjoy the story and its message. I give the film 3 and ½ stars with special kudos to Mr. Pitt who showed that in baseball and in show business, tenacity and dedication can still get big “hits”.

Contagion

“Contagion” stars Lawrence Fishburne, Kate Winslet, Matt Damon, Jude Law and Gwyneth Paltrow in this 105 minute film directed by Steven Soderbergh and written by Scott Z. Burns. This is a poorly written and directed film with skimpy production values and characters who are two dimensional.. Faced with so many named stars, one would expect a film that might support such a cast. Instead, it is a letdown. The viewer simply has a "who cares" attidue about each of them.The character played by Jude Law is more an intrusion into the film than any positive addition. One can only try to figure out the meaning of the film’s title as one can try to understand the casting of Elliot Gould as one of the world’s leading biology researchers. As the line in the film goes “If Sussman (Gould’s character) doesn’t get it…no one will” In this instance the writer is right…no one gets it. Touted as the great dethroner to box office leader “The Help” I would tell the producers of “Help” that if good taste and quality filmmaking still prevail, they needn’t worry. I give the film 2 stars and am probably being overly generous in doing that.

The Debt

“The Debt” is the story of three Israeli Mossad agents and the events that took place 30 years ago, what takes place years later and how the two time spans interact into their personal, political and professional lives. The film stars Tom Wilkinson, Sam Worthington, Jessica Chastain and Helen Mirren in this intended cold war thriller. This is a remake of a 2007 Israeli film entitled “Ha Hov” (i.e. “The Debt” in Hebrew). Directed by John Madden (“Shakespeare In Love”) and co-written by Mathew Vaughn, Jane Goldman and Peter Straughan, the film is, supposedly based on actual occurrences. On paper, at least, it has all the ingredients for an adventure film with a great plot. Unfortunately, the movie moves rather slowly and is tedious at times as it gets a little too involved in the personal lives of the Mossad agents while not going deep enough into the world of significant political events taking place around them. In fairness to the performances and certain segments of the screenplay, the film does manage to hold the audience’s interest in spite of its almost 2 hour duration which, quite honestly, seemed longer than that. I give the film 2 and ½ stars with a concern that its title may be the precursor for the amount appearing on Miramax’ balance sheet after the grosses are computed.

The Guard

“The Guard” is an interesting comedy-drama starring Brendan Gleeson and Don Cheadle. Written and directed by John Michael McDonagh (“In Bruges”), he attains a level of subtlety in the humor that pervades the film and especially in the chemistry and communications between Messrs. Gleeson and Cheadle. Located and filmed in the County of Galway in Ireland, this film will make you laugh since the characters and story do not take themselves too seriously. Nevertheless you are able to view a thriller with as much action as you might find in any non-comedic movie but with the added attraction of these two male stars who draw you into their escapades with vigor and interest. I give the film an 80 rating and applaud the efforts of all involved. I had a good time watching it.

The Help

“The Help” is a 137 minute film version of the best selling novel by Kathryn Stockett who, with Tate Taylor, gets the screen credit. Directed by Mr. Taylor, this is the story of the Black housekeepers/maids/nannies who raised the white children of their employers set in the mid l960’s at the apex of the civil rights movement in the Southl Filled with many stereotypes, the movie nevertheless gives the viewer an insight into the lives, aspirations and sadness of these true ladies of the South as they leave each day to become the chattels of their white property owners. Prior to seeing the film I had watched and read a few interviews with young and scholarly black journalists who felt the film did an injustice to the true plight of these domestic workers and the entire Black experience during that time. I was surprised to find that the film did more than just whitewash the era (no pun intended) but, instead, gave those in the audience an awareness of what life was like for these people and the indignities and injustices they were forced to suffer and endure. Emma Stone gives a better than average acting performance but enough cannot be said for the efforts of both Viola Davis and Octavia Spencer who, as Aibileen Clark and Minny Jackson, respectively, make the movie their own as they dominate every scene and fill the screen with dignity and meaning. Watch for Oscar nominations for these two when voting time comes around. I give the film 3 and 1/2 stars and recommend it highly. It’s a pleasure to see this kind of quality film released in the summer when the demographics of the “home from school” audience might have dictated otherwise.

Bride's Flight

“Bride’s Flight” is the story of 3 Dutch war brides taking a KLM flight in 1953 to New Zealand in order to meet their new husbands and escape from war torn Holland. Filmed in Auckland and Christchurch, New Zealand, the picture was directed by Ben Sombogaart and written by Marieke van der Pol. Not exactly household names. The three women are played by Anna Dryver, Elise Schaap and Karina Smuldlers who will likewise be unfamiliar to American audiences but nevertheless quite captivating in their performances. This is a well written, well edited and equally well directed film as the paths of those on the plane cross at various times in their respective lives and impact upon them and those in their families. I give this film 3 stars and suggest that you try to see it asap since it has been around for some time and is slowly (or not so slowly) being phased out of most of the small theaters where it opened originally.

Captain America-The First Avenger

“Captain America – The First Avenger” stars Chris Evans, Hayley Atwell, Tommy Lee Jones and Stanley Tucci. Directed by Joe Johnston and written by Christopher Markus and Stephn McFeely, this is the story of how Captain America came to be. Created in the early ‘40’s for Timely Comics, predecessor to Marvel Comics, our hero is transformed from a puny Brooklyn boy named Steve Rogers to Captain America whose ostensible aim is to fight the Germans in World War II. The film had a special appeal to me because (a) I was brought up in that era and read Captain America regularly and (b) its locale and area of activity was New York City. Nostalgic memories of a time when all of us had a common foe and joined forces to beat it, this film captures the feeling and genre of the time. It is a believable and charming story of heroes and villains without the trite and absurdity found in other comic book films. Although the first half of the film is clearly the more interesting and character absorbing, the film gets and deserves a 3 star rating. It is a fun film that doesn’t take itself too seriously and for that reason should please most of the viewing audience regardless of its age..

Sarah's Key

“Sarah’s Key” stars Kristin Scott-Thomas, Aidan Quinn and a host of French actors who give superb performances in this tragic tale of a Jewish family removed from their Paris apartment by the then French government in July 1942 and then shipped, like most European Jews, to the concentration camps in mid-Europe. Most striking of all is the performance of Melusine Mayance who portrays the young Sarah caught in the nightmare of what took place in that fateful July. Directed by Gilles Paquet-Brenner and co-written by the director, Serge Joncour and Taliana de Rosnay, the film plays more like a documentary as you watch the story (or stories) unfold. It has been said that true human tragedy involving large numbers of innocent victims is best told and understood when one character alone is the subject and this bears truth in this film. Sarah’s story touches many lives but is made more vivid and real because of our identification with the central character of the film. I give this film 3 and ½ stars since it not only represents acting and story telling at its finest but, more importantly, it informs the audience of little known but nevertheless horrifying series of events that took place in France where the villains, although expectedly the German occupiers, were, in fact, the French. Viewing this important film is a truly informative and, for want of a better word, entertaining experience. The viewer also wonders the relationship between the director and co-writer Mr. Brenner, with real life occurrences since the end credit of the filmt indicates that it is dedicated to the memory of 4 persons, all having the same last name as the director.

Friends With Benefits

“Friends With Benefits” stars Justin Timberlake and Mila Kunis with wonderful supporting performances by Patricia Clarkson, Richard Jenkins (“The Visitor”) and Woody Harrelson. The chemistry and on screen compatibility between Mr. Timberlake and Ms. Kunis make this romantic comedy well worth seeing as the two meander and flit between New York and Los Angeles with both cities receiving proper photographic due as the backgrounds for this very warm and engaging film. Rated R, not for any visual scenes, but because of the dialogue between the two leading characters in the most intimate of moments (which some might find uncomortable to listen to). That being said, the aforementioned language fits quite appropriately into the scenario and reality of these two “friends/lovers” as they struggle to find the balance between the partner you want to be with late Saturday night and the person who you want to spend the entire day with on the following Sunday. Written by David Newman, Keith Merryman and Will Gluck (who also directed the film), I give the picture 3 stars because I really enjoyed watching it and seeing these two fine actors dominate the screen and captivate its audience. As one viewer remarked, we were watching two future superstars in the making. He may well be right.

The Trip

“The Trip” was originally conceived as a British sitcom with real life comedians Rob Brydon and Steve Coogan playing somewhat fictionalized versions of themselves. In this feature length film, the two find themselves on a trip through Northern England as food critics for a British newspaper. The lines are mostly improvised and, except for a few funny moments, the film trudges along at the pace of a dead horse despite the fact that the two are riding in a new Range Rover. There is no question but these are 2 talented actors/comedians but the one or two humorous moments are offset by what basically is a dull, tedious, tiring experience for the viewer. My watch count rating (i.e. the number of times I looked at my watch) was 8 although it might have been more because my continuing whispered utterances hoping that the film would end soon could have affected the count. Believe me, I usually stay to the bitter end, no matter the film, but had my wife tipped the scale just a wee bit in wanting to leave, we would have left much earlier than the picture’s normal ending.
I am surprised at the positive response some very reputable critics have had to the film since, to me, it was a waste of money and time. I give the film 1 and ½ stars because through its beautifully photographed scenes, the audience is able to see the wonderful British countryside and a part of the UK we seldom are shown. However, a trip to the local bookstore for a travel volume with pictures is the only “Trip” I would take regarding this movie

Horrible Bosses

“Horrible Bosses” stars Jason Bateman, Charlie Day and Jason Sudeikis in this 100 minute film directed by Seth Gordon and written by John F. Daley, Jonathan Goldstein and Michael Markowitz. We went to this film fully expecting to see light fluff with an easy to absorb plot and light acting. We were not let down although I must say tha thte film was entertaining and had its share of really good laughs. Playing the three repulsive bosses are Kevin Spacey, Jennifer Aniston and Colin Farrell and, indeed, they are disliked by all. Through a series of mishaps, coincidences and down right good luck, the film’s characters come together in this comedy that allows the dry wit and perfect timing of Jason Bateman to shine through and give the film a lightness and a “I’m having fun watching it “ feeling. I give this film 2 and ½ stars and suggest that if you are looking for
an uncomplicated simple picture to see, will laughs and fun galore….this is it.

Bridesmaids

:”Bridesmaids” stars Kristen Wiig, Maya Rudolph and Rose Byrne, was co-written by Ms. Wiig and Annie Mumulo and directed by Paul Feig. This is not a great movie and some might argue not even a good movie but no one can deny that it is truly a funny movie. Ms. Wiig’s portrayal of the maid of honor is hilarious, well done and believable. She is an outstanding actress who gives a wonderful performance albeit in a comedic role. Well written and directed the film proved to be, for want of a better word, “enjoyable” to watch and I’m glad I saw it. I give the film 2 and ½ stars and now understand why so many who saw it were recommending it.

Terri

“Terri” is the movie I chose to see after cancelling my tickets for “Larry Crowne”. I had read such bad things about the new Tom Hanks/Julia Roberts film that I thought “Terri” would be a much better choice. Oh, my, was I wrong. “Terri” stars John C. Reilly and Jacob Wysocki, was written by Patrick DeWitt and directed by Azard Jacobs. This is a slow moving , tedious to watch, dull and uninspiring picture that seems to be the “in” film among the more supposedly knowledgeable critics. Just as “The Road” a few years ago earned such negative comments, the lobby at the local theater was filled with very dissatisfied viewers who, like me, couldn’t understand how a film like this could ever have been made. Yes, the pseudo-intellectuals will find something here but, like a Rorschach ink test, the blots are only blots until the imaginative viewer reads something into them. The director and one of the stars of the film were present in the theater to talk to the audience and engage in a “ Q & A” when the film ended. The question I would have asked, had I stayed is “Why did you make this film” and, also, “What did I do to deserve a waste of 105 precious Friday night minutes’. There is no depth or dimension to any of the characters so the viewer has no interest in what befalls them and since nothing really does, the issue is moot. I suggest that you save your money and use it on internet sales taxes. I guess I should have been forewarned for any writer that can’t spell “Terri” correctly can’t do much else including, specifically, writing a decent screenplay. Tom and Julia, I apologize.

Green Lantern

“Green Lantern” stars Ryan Reynolds, Blake Lively, Mark Strong, Peter Sarsgaard and Tim Robbins. This is a science fiction film made by Warner Bros and is based on the ‘40’s comic book hero in “DC” comics. The film is Warner Bros. hope for a film franchise a la “Pirates” or “Harry Potter” but, alas, their hopes will not be realized. This is a movie trying to decide whether it will be camp or real but it can’t be both and, to that end, it fails dismally. You know a picture is weak, despite its team of 4 writers when the biggest line Reynolds delivers is “I’ve got to go now and look for trouble”. Wow. Reynolds himself, a pretty face in a he-man’s role just doesn’t quite fit the bill. As a participant bringing about the original “Batman” TV series, I can tell you that what made that show work is that it never took itself too seriously and everyone enjoyed spoofing the original entity. Here, most of the movie tries to explain the complicated powers of the possessor of the Green Lantern and his ring and it just doesn’t work. I saw the film In a two dimensional showing and the special effects were indeed impressive. I would imagine that the 3D version is much more entertaining. But special effects do not a good film make and this is certainly true of this picture. I’m afraid that the only “green” the filmmakers will see from this film is the word in the title. Bad choice for a film based on a comic book hero who, even in that genre, was nothing to hold a candle too, let alone a lantern. I give the film one and ½ stars for in summary, it is just plain silly and a waste of the audience’s time and lots of studio money.

Midnight in Paris

“Midnight in Paris” stars Owen Wilson, Rachel McAdams, Kathy Bates, Michael Sheen, Marie Cotillard and Carla Bruni (President Sarkozy’s wife) and Adrien Brody. Written and directed by Woody Allen, it is a welcome home for this talented writer/director as he takes on a tour of Paris, the real star of the film. Mr. Wilson, a most unlikely paper choice for the lead role, is surprisingly good as he emulates and reminds us of the early Mr. Allen who probably would have played the role himself were he years younger.
There is humor, pathos and, most of all romance, as this nostalgic film causes us see the ups and downs in the lives of so many of the parties portrayed in the film Much like the film “Moulin Rouge”, one must watch this film with an open and unprejudiced mind and accept what is seen in the greater context of life, not time. Most of all, this is a film made by someone with a love affair for the past and for Paris….gay, nostalgic, romantic, creative and ever-interesting. Make no mistake, Paris is the real star of this film as it is beautifully photographed and displayed in each frame. I give this film 3 and ½ stars with a strong recommendation that you see it and enjoy it and enjoy, too, the fact that Woody Allen, like rare wine, seems to get better with age.

The Double Hour

“The Double Hour”, released by Samuel Goldwyn (the only English name you will read in this review) is an Italian production starring Filippo Timi and Antonia Truppo. This Italian/Spanish language film directed by Giuseppe Capotondi is about as interesting as it can get with its 96 minutes of intrigue and detail. It hooks the viewer right from the first frame. Superbly acted, directed and edited, I found myself looking at my watch, not out of boredom but, to the contrary, so involved in the film that I was hoping the time was wrong and there was still a lot more footage to be experienced. Simply stated, I just didn’t want the film to end. Encumbered by the English titles, normally an obstacle for any film, the titles and audio molded into one as I sat on the edge of my seat and let the action, plot and story unfold. I strongly recommend this film and, without hesitation, give it a strong 3 star rating..

Jumping the Broom

“Jumping the Broom” stars Angela Bassett, Brain Stokes Mitchell, DeRoy Davis and Julie Bowen (of “Modern Family”).and is the story of a wealthy black family and the wedding they are giving for their daughter who is marrying the son of a poor postal clerk mother. Written by Arlene Gibbs and Elizabeth Hunter and directed by Salim Akil this is more an excursion into the conflicting cultures and ethnic customs of both poor and wealthy blacks in society. Although the clashes can be humorous at times, there is an undercurrent in the film of this caste clash present all of the time even to the point where the characters distinguish between light (“mocha”); and “dark chocolate” skin tones.. Sitting amidst a predominantly black audience, the Caucasian viewer becomes very conscious of the color of the actors’ skin and the film never lets you forget that you are a white fly on the wall of this black experience. Ms. Bowen is, to my recollection, the only cast member who is not black and is, if you forgive the phrase, the token member of that group. What I can say for the picture is that is doesn’t pretend to be generic heroes and heroines who happen to be black. This is a very black movie and it makes no bones about it. Perhaps the most bitter exchange between the two mother in laws to be is when the poorer one talks about her slave ancestry and the richer one says that her family owned slaves. Lots of heavy resentment which tries to hide between some mildly funny scenes but it just doesn’t work. I give the film 2 stars but worth seeing if, for no other reason, in order to better understand the psyche and goings on in this minority community.

The Lincoln Lawyer

“The Lincoln Lawyer” stars Matthew McConaughey in the title role ably supported by Marisa Tomei, Ryan Phillippe and William H. Macy. Co-writen by John Romano and Michael Connelly (based on Mr. Connelly’s novel) and directed by Brad Furman, this is one of those legal tales involving the problems and intricacies of being a criminal defense lawyer. Having lived first hand much of the courtroom scenes shown in the film, I can attest to its legitimacy.. Filmed on location in Los Angeles, this is an LA story with plot twists and turns that are not only interesting and audience-involving but believable as well. I’m not a Mathew M. fan generally speaking but he does a wonderful job in this film and keeps the viewer interested and anxious to see how the film unfolds and the problems are solved. I give the film 3 stars remembering that professionally I’m bringing a lot more to the table than the average viewer but, let’s remember, law and order was a hit amongst many non-lawyers too.

In a Better World

“In a Better World” is a Danish-Swedish joint production with dialogue in English, Danish and Swedish. Directed by Susanna Bier and co-written by Ms. Bier and Anders Jensen, this 119 minute film is extremely well done as it masters the art of “flashback” and “the now” so that the audience stays engaged and involved throughout its duration. Beautifully acted, the film examines the tragedies that occur not only on a worldly basis but personal ones as well includingfamine and brutality in Africa, bullying at school and the loss of a wife and parent to a small family as well. The more significant meaning to the film is how the characters cope with these events from the pacifist non-violent to the angry and hostile and how each learns to alter their initial innate reactions. Perhaps the best that can be said of any foreign film, including this one, is that, after a very short while, the audience forgets that it is watching and listening to a language that is not their own. The superb performances of the two teenagers in the film is worth noting and brings this theatrical experience to a level it might not otherwise have attained without them. I give the film 3 stars and recommend it be seen during its short and limited period of release.

Win Win

“Win Win” stars Paul Giamatti as a beleaguered New Jersey store front lawyer and moonlighting High School wrestling coach, Amy Ryan as Mr. Giamatti’s wife, Jeffrey Tambor as his assistant coach and Bobby Cannavale as his best friend with a surprising performance by first time actor Alex Shaffer who plays a teenage wrestler. Burt Young (of Rocky fame) ably assists in this melodrama involving the pitfalls and tribulations of Mr. Giamatti’s character, his failing legal practice and the events that take place in his life and town. Based on a story by Joe Tiboni and co-written by Mr. Tiboni and Tom McCarthy, who also directed the film, this is a simple theatrical piece whose pace and editing are smooth and easy to view. Mr. McCarthy, whose other directorial triumphs include “The Visitor” and “The Station Agent”, brings the same pleasant quality of film watching and story telling to this film. Though not a giant in great movie making, this is a film worth seeing because it is honest and real with characters that are interesting and, most importantly, likeable. I give the film 3 stars with a “lose lose” if you pass it by.

Just Go With It

“Just Go With It” stars Adam Sandler, Jenifer Aniston, Brooklyn Decker and Nicole Kidman in this remake of the stage play “Cactus Flower” written by Abe Burrows. Unfortunately, other than the medical profession being involved, any similarity to the Burrows creation and the film directed by Dennis Dugan is quite remote. Typecast in the role of good friend and office assistant to Sandler’s doctor character, Ms. Aniston plays her part well but the role is too lackluster to gain her any real acknowledgment. Ingrid Bergman played this part in the movie “Cactus Flower” to Walter Mathau’s dentist while Goldie Hawn played the role acted by Brooklyn Decker. The taking down of Ms. Aniston’s age (in comparison to that of Ms. Bergman’s) is an integral part of the reason why the Mathau, Bergman Hawn film was so much more enjoyable to watch than the present version. With most of the scenes occurring at the Grand Wailea Hotel on Maui, the film is pleasant to watch and would best be characterized, for those of you who can remember, as the B film accompanying the A picture. I give the film 1 and ½ stars with the caveat that one should be wary of any film where the real star is the set location.

Barney"s Version

“Barney’s Version” was written by Michael Konyves based on the novel by Mordecai Richler (“Apprenticeship of Duddy Kravitz”, et.al). The film with locations in both Italy and Canada stars Paul Giamatti, Minnie Driver, Rosamund Pike and Dustin Hoffman (with his son, Jake, playing the grandson of Mr. Huffman’s character in the film). Utilizing all of its 2 hours and 12 minutes to tell its story, this is a quality film that, for me, was quite enjoyable to view. Wonderfully directed by Richard J. Lewis, the movie moves along at a smooth pace and tells this warm and endearing story about the life of Mr. Giamatti’s character, Barney Panofsky. I came to the film forewarned by some who didn’t like the film although there were many who did.. I also came to the film with a less than enthusiastic attitude since, although a fine actor, I just never enjoy watching Mr. Giamatti. With all of those shackles and burdens weighing heavily on me, I nevertheless found the film to be totally worthwhile and a rewarding theatrical experience. I give the film 3 stars with special kudos to Rosamund Pike whose classic and elegant demeanor is a thing of beauty to behold.

Unknown

“Unknown” stars Liam Neeson, January Jones, Diane Kruger, Frank Langella and Aidan Quinn in this supposed action/drama thriller that tries so hard to be clever but continually stumbles in its convoluted plot and incredulous series of events and identities. As a result, the viewer remains on the edge of his or her seat, not because of the drama, but, instead, in an attempt to remain focused and to try to make sense out of what really makes no sense at all.. Directed by Jaune Collet-Serra, the action scenes are good but not great and unfortunately fail to compensate for the weakness of the story line and plot. Some have referred to the film as “Taken 2” but this does a great disservice to the first film which, in my opinion, was significantly better. I give this film 2 and ½ stars with the added rating because it does hold your interest…an interest motivated by trying to follow the story and the logic which, like the title, are “unknown" and undetectable.

The Illusionist

“The Illusionist” was written by Jacques Tati and directed by Sylvain Chomet. This is an animated film with almost no dialogue and tells its story in about an hour and a half which is more than enough. Jacques Tati, for those of you who are old enough to rememeber, is the charming character who starred in “Mr. Hulot’s Holiday”. The animated figure in the film is that of Mr. Tati and, to a certain extent, represents the biography of this mime and magician who started out in the music halls of France and the UK before turning to film. Sensitive and appealing to the eye, the film boasts of a subtle and warm animation style much like those seen in Pinocchio and early Disney cartoons. Make no mistake about it, there is computer generated animation as well as the traditional cel drawings and the visual appetite of the viewer will be easily appeased. Having spent some time in Edinburgh, the animation and drawings of that city were especially pleasing to me. Now the caveat: This is not a drama, a comedy or a silly cartoon but, instead, a nostalgic look at a bygone entertainment era as the sad character in the form of the mime/magician (a/k/a Mr. Tati in real life) struggles valiantly through the era that is about to pass him by. I confess that I looked at my watch 2X during the 90 minutes but that may not necessarily be the fault of the film as the early rise I had that day. Also, in fairness to the facts, we were 6 in a theater that hold over 500 (a 5:20PM show on a Friday) so maybe the absentees knows something I don’t. My immediate reaction to the film when it ended was first relief and then, upon pondering the film its style and its message, I came to a more positive conclusion. I give the film 2 and ½ stars. It’s a unique theatrical experience made all the more interesting if you know the life and times of Mr.
Tati.

Biutiful

“Biutiful” stars Javier Bardem in this film directed and co-written by Mexican director Alejandro Inarritu (“Babel”) who gives to the audience every possible emotion and involvement through the superb acting of Mr. Bardem. He is in every scene as the camera and script carry him and the viewer through his sad and doomed path as a father, son and brother in what becomes two hours and 27 minutes of a really dry and morbid journey. This is an intense film and much too long for the story it tells. Editing here could have made the film more enjoyable (if that is the right word) but it seems that the director placed too high a value on the takes and scenes he filmed instead of the patience and comfort of the viewer. Sometimes less is more and that adage certainly would apply here. That being said, Mr. Bardem gives an outstanding performance and is far greater in the role he plays than the film in which he appears. I give the film 2 and ½ stars thanks to the efforts and presence of Javier Bardem and in spite of the talents of Mr. Inarritu.

The Dilemma

“The Dilemma” stars Vince Vaughn, Kevin James, Winona Ryder and Jennifer Connelly in this Ron Howard directed and Brian Grazer produced film which takes a very serious theme and interjects it with slapstick humor and bad writing resulting in a silly and very unimpressive film.
Perhaps the most interesting part of the film is that it reveals a better and deeper side of Mr. Vaughn’s talents proving that he is capable of better roles in better films. I give this film 2 stars with the choice whether to see it or not posing no “dilemma” since the decision is basically, like the film, a “no brainer”.

Blue Valentine

“Blue Valentine” stars Ryan Gosling and Michelle Williams in this dark, dreary and moody film directed by Derek Cianfrance and written by Mr. Cianfrance, Cami Delavigne and Joey Curtis. Using (or attempting to use) clever vehicles for flashbacks and fast forwards in the lives of Cindy and Dean, the two star characters in the film, the movie simply never gains a comfortable momentum as it clumsily moves along almost at a go-as-you-will pace. The sex scenes, and there are a number of them, are too long and become uncomfortable to sit through as you wish the film editor had used his or her splicer more often than not. More like an acting class exercise than any introspective or in depth view of the characters, especially the one played by Ms. Williams, the film lacks for want of better words, “life” or “energy” and, as a result, creates a slow and rather tedious view of the life of its main participants. I give the film 2 stars and, with February 14 getting close,warn that you give the love of your life “Blue Valentine“ only if you want to end the relationship..

Country Strong

“Country Strong” stars Gwyneth Paltrow, Garrett Hedlund, Leighton Meester and Tim McGraw in this tale of a country singer on her comeback road after rehab and personal loss. Ms. Paltrow plays the singer without the aid of either a decent script or a singing voice. Written and directed by Shana Feste, the ultimate responsibility for this trite and formula type film must fall upon her shoulders. Mr. McGraw adds to the loss by simply staring into the camera half of the film lke a deer might do into the headlights of an oncoming car exceot that, in the deer’s case, we really care. There are, however, 3 redeeming qualities and benefits to the film. The first is the presence of Garrett Hedlund who himself performs the songs that are sung in the movie; the second is Ms. Meester who steals every scene she is in because she is really so talented and pleasing to the eye (and ear, for she too sings) and the third is the music itself.. As a lover of country music, this film offers a wonderful array of new and old country songs delivered in a manner that would make a classic radio station listener enjoy what he or she was hearing. I give this film 2 stars thanks mostly to the music in it and, also, because the non-Paltrow singing performances were pretty good.

Another Year

“Another Year”, as its title quite fittingly dictates, is the movie we chose to see as part of our New Year’s Eve welcome of 2011. The film, written and directed by Mike Leigh, stars Jim Broadbent, Ruth Sheen, Lesley Manville and Peter Wight. It relates the conflicting stories of middle class Britons, some of whom are able to enjoy and experience a pleasant life and marital bliss while at least two of their friends suffer life’s despair and loneliness. How these two different groups interact and share each other’s lives makes for a deep and involved theatrical experience with special note given to the role of “Mary” played by Ms. Manville. She is an exceptional actress who portrays her part so convincingly that some of her performance becomes uncomfortable to watch but is nevertheless real and convincing. Though slow moving at times, it is deserving of the 2 hours and 20 minutes required to view it and earns a 3 star rating.