Sunday, February 7, 2016
Hail, Caesar
"Hail,
Caesar" boasts an all star cast including Channing Tatum, Josh Brolin,
George Clooney, Frances McDormand, Jonah Hill, Elden Ehrenreich, Ralph
Fiennes, Scarlett Johansson and Tilda Swinton and was co-written and
directed by Joel and Ethan Coen. Given this stellar list of talented
actors, writers and directors, I eagerly anticipated viewing this
attempted satire of 1950’s Hollywood but, unfortunately, I was greatly
disappointed for the advertised brand was significantly better than the
product. With so much material available, the Coens missed almost every
opportunity to make the film work and could have elicited genuine
laughter instead of only a slight smile or grin from an audience
anxiously wanting and hoping for more. It should also be noted that Mr.
Clooney and Ms. Johansson, two charismatic and generally enjoyable
actors to watch, should not attempt slapstick comedy for the result is
more tragic than humorous. Also, the film with many subplots never
properly allows any of them to develop and what could have been a clever
spoof of making films in the mid 20th Century becomes a poor but
unsuccessful attempt to be funny. Knowing what could have been
achieved but wasn’t is even more frustrating. Difficult to understand,
too, is that so many reputable critics have applauded this film
apparently judging the proverbial "book" by its cover rather than its
contents. I give the film 2 stars suggesting that the Coens owed the
viewers and their own tremendous talents more than they were able to
achieve in their latest theatrical endeavor.
Sunday, January 31, 2016
45 Years
"45
Years" was written and directed by Andrew Haigh based on a short story
by David Constantine. It stars Charlotte Rampling and Tom Courtenay who,
at 69 and 78, respectively, play the parts of Geoff and Kate Mercer, a
supposedly happily married couple as they, or more properly, Kate, plans
their 45th Wedding Anniversary celebration at the local banquet hall.
Spanning a period of less than a week in their lives, this is the story
of a long lost romance Geoff had well before he ever met Kate and how
this 50 year old experience suddenly impacts on their present lives and,
more significantly, Kate’s reaction and response to what she now learns
about it. Mr. Courtenay plays a subdued and stoic role as he attempts
to move on from the past while Ms. Rampling’s character becomes more
absorbed with the historic details as if this now deceased part of her
husband’s life is still alive and in competition with her. Enough cannot
be said of the wonderful acting of Ms. Rampling who, with little or no
dialogue, is able to express more emotion and feeling than most actors
might if they were shouting. Although the film is long and at times
somewhat tedious, it is in effect mirroring the relationship of the
couple on the screen as they, in their typical British civility,
struggle through the emotional obstacles that confront them. I give the
film 3 and 1/2 stars and credit Mr. Haigh with successfully
accomplishing the dual role of good writing and directing.
Saturday, January 9, 2016
The Revenant
"The
Revenant" stars Leonardo DiCaprio and Tom Hardy in this "based in part
on a true story" of mountaineer Hugh Glass and his fight for survival in
the South Dakota wilderness after an almost fatal encounter with a
bear. The film was directed by Alejandro Gonzalez Innarritu
("Birdman") who, with Mark L. Smith, co-wrote the screenplay based on
the novel by Michael Punke. Although shot in Canada and Argentina, the
film attempts to depict the challenges of a South Dakota winter n 1823.
The word "revenant" is derived from the French word "revenir" (i.e. to
return) and literally means the return of the spirit from the dead. This
is the plight of Mr. DiCaprio’s character as he struggles across the
barren icy wasteland for over 2 and ½ hours of viewing time. The
audience also feels his pain and anguish since it too has to suffer
through this ordeal as it is forced to endure a tedious and overlong
excursion through the cold and unforgiving wilderness. The difference of
course is that Mr. DiCaprio was paid for his suffering while the
audience was not. Mr. DiCaprio’s character is enmeshed in a thin story
line and basically has a non-verbal role as the script requires him to
do a great amount of crawling and some groaning but, unfortunately,
these do not necessarily rise to the level of great entertainment.
One must acknowledge the haunting and vitally important original musical score created by Ryuichi Sakamoto and Alva Noto and the spectacular photography of Emmanuel Lubizki. That being said, I found myself looking at my watch at least 3 times during the film in hopes that it was nearing its conclusion and wondering why I saw what the editor didn’t. I give the film 2 stars for it proves once again that advertising and hype will not always make a film great but a quality screenplay and strong acting performances will. In my opinion, this film is lacking in both.
One must acknowledge the haunting and vitally important original musical score created by Ryuichi Sakamoto and Alva Noto and the spectacular photography of Emmanuel Lubizki. That being said, I found myself looking at my watch at least 3 times during the film in hopes that it was nearing its conclusion and wondering why I saw what the editor didn’t. I give the film 2 stars for it proves once again that advertising and hype will not always make a film great but a quality screenplay and strong acting performances will. In my opinion, this film is lacking in both.
Tuesday, January 5, 2016
Joy
"Joy"
stars Jennifer Lawrence, Diane Ladd, Robert De Niro, Virginia Madsen,
Edgar Ramirez, Isabella Rossellini and Bradley Cooper. The film was
directed by David O. Russell and co-written by Mr. Russell and Annie
Mumolo. This is the loosely based story of Joy Mangano, the lady who
went from rags to riches via the QVC Network after demonstrating and
selling her new invention, a mop that never touches your hands and whose
head can be washed in a washing machine. The story is really quite
predictable with the other actors playing caricatures in a modern
Cinderella tale with a heroine who mops the floor and a stepsister who
is her arch rival.
The dialogue is trite and leaves little to the imagination save the gaps that the viewer must fill in because some of the scenes and scenarios just don’t make much sense. If you delete the "J" from the title of the film you end up with the word "oy" and that’s the word I used after I viewed it. I give the film 2 stars and suggest that the ticket price would be better spent on buying the mop featured in the story.
The dialogue is trite and leaves little to the imagination save the gaps that the viewer must fill in because some of the scenes and scenarios just don’t make much sense. If you delete the "J" from the title of the film you end up with the word "oy" and that’s the word I used after I viewed it. I give the film 2 stars and suggest that the ticket price would be better spent on buying the mop featured in the story.
Friday, December 25, 2015
Daddy's Home
"Daddy’s Home" stars Linda Gardelini, Will
Ferrell and Mark Wahlberg in this comedy based on a story by Brian Burns
and a screenplay co-written and co-directed by Sean Anders and John
Morris. Seeking to recapture the terrific chemistry that Messrs. Ferrell
and Wahlberg had in the film "The Other Guys", Mr. Ferrell plays a
sweet and mild mannered husband and step-dad married to Mr. Wahlberg’s
ex-wife. The film examines the inevitable conflict that exists between
the divorced biological father who wants to retain some identity with
his kids in spite of the step-dad now occupying the family residence.
Obviously a subject more serious than comedic, the film tries to
interject humor and to a certain extent succeeds. It is a light and easy
film to watch with no great surprises enriched by the pleasant demeanor
and screen presence of Mr. Ferrell. I give the film 2 stars with the
warning that it needn’t be on your must see list of films for 2015.
Sunday, December 20, 2015
Sisters
"Sisters" stars Tina Fey, Amy Poehler Ira Barinholtz and
Maya Rudolph in this film written by Paula Pell and directed by Jason
Moore. This is not a good film, in fact, it’s one of the worst films Ive
seen in a very long time. The chemistry and talents of Ms. Fey and Ms.
Poehler deserve a better vehicle to display the obvious abilities these
two ladies possess. What makes the situation even worse is that the
entire film is an insult, not only to them but to the viewers who
expected and were entitled to much more.
Slapstick comedy, even badly executed slapstick comedy, has its place but crudeness without humor does not. Adding to the tumult and artistic anarchy are James Brolin and Diane Wiese who play the parents of the two sisters but, try as they may, they just aren't comic actors and their efforts fail as does the rest of the endeavor. The film is a disappointment to the viewers and demeaning to the performers which I guess sums up the whole experience. I give the film 1 star and that really goes to Ms. Poehler who, in spite of it all, is the only person worth watching in this 98 minutes of theatrical discomfort.
Slapstick comedy, even badly executed slapstick comedy, has its place but crudeness without humor does not. Adding to the tumult and artistic anarchy are James Brolin and Diane Wiese who play the parents of the two sisters but, try as they may, they just aren't comic actors and their efforts fail as does the rest of the endeavor. The film is a disappointment to the viewers and demeaning to the performers which I guess sums up the whole experience. I give the film 1 star and that really goes to Ms. Poehler who, in spite of it all, is the only person worth watching in this 98 minutes of theatrical discomfort.
Monday, December 14, 2015
The Big Short
"The Big Short"
is a film based on the book by Michael Lewis which details the fall of
Wall Street in 2008 and the circumstances that led up to it. With an
adaption of Mr. Lewis' book by Director Adam McKay and co-writer Charles
Randolph, the film has an outstanding ensemble cast including Ryan
Gosling, Steve Carell, Christian Bale and Brad Pitt (who was also one of
the producers of the film). Mr. Bale’s character and 3 others find that
the bundles of mortgages being sold by Wall Street firms to their
investors are loaded with subprime (a/k/a) "bad") mortgages, most of
which have adjustable sweetheart rates that end in or about 2007.
Recognizing this and the debacle that will ultimately occur when
mortgage rates and payments will suddenly soar and foreclosures will
become the inevitable consequence,, these savvy mavericks swap or 'sell
short' these bundles in order to reap the high profit that they
anticipate will come about. The film is filled with trade acronyms and
concepts that even well seasoned brokers would not understand so, in
order to educate the viewing audience, stars like Selena Gomez, Anthony
Bourdain and a lady in a bubble bath interject themselves into various
frames in the film in order to explain to the viewer the complexities of
these arrangements.
The vehicle works and what might otherwise have been a disaster of technical jargon becomes a more or less easily understood combination of events, both serious and comedic, that led to the crash of 2008. There is no single performance that stands out although the sum of all them makes this a film that should be seen by anyone who directly or indirectly was impacted by what occurred in the fatal year when Wall Street houses and stocks crumbled. I give the film 3 and ½ stars and recommend that it be seen if, for no other reason, to understand how vulnerable an unregulated and rogue bunch of brokers, dealers and institutions can and, in fact, did manipulate the system.
The vehicle works and what might otherwise have been a disaster of technical jargon becomes a more or less easily understood combination of events, both serious and comedic, that led to the crash of 2008. There is no single performance that stands out although the sum of all them makes this a film that should be seen by anyone who directly or indirectly was impacted by what occurred in the fatal year when Wall Street houses and stocks crumbled. I give the film 3 and ½ stars and recommend that it be seen if, for no other reason, to understand how vulnerable an unregulated and rogue bunch of brokers, dealers and institutions can and, in fact, did manipulate the system.
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